![]() ![]() Here, we witness a mother reminiscing about her childhood and how she met her son’s father. “Come With Me, Back Home” by Joseph Arnone: How Mom met Dad I’m not asking you to hand feed me, but be there for me the way I need you to be…there…you happy? Now you know what’s bothering me. ![]() ![]() Can’t you ever just be my friend and support me by giving me encouragement? Do you have any idea how impossible what I’m going after already is? Do you? It’s so damn hard and I can use some kindness…just some you’re my mother, you know, I-all I ask is that you stop trying to get so damn strategy-oriented with me and instead work with me, give me sound advice, if you have any, ’cause coming down on me doesn’t help. That’s not the way to help me move forward. First, you come at me and complain about all the things you think I’m not doing and you do this to get me angry because you think by getting me angry it’s going to somehow make me work harder for what I want in my life and you’re wrong. You don’t ever hear what I’m trying to say to you. This emotional complexity is a great showcase of range for self-tapes, casting calls, and open auditions. In this short monologue, Bella confronts her mother about their relationship, as her emotions shift from anger to exasperation to desperation. “One-Way Conversation” by Joseph Arnone: Bella’s truth I mean, I knew her, and then she’s… there’s just a body, and I don’t understand why she just can’t get back in it and not be dead anymore! It’s stupid! It’s mortal and stupid! And… and Xander’s crying and not talking, and I was having fruit punch, and I thought, well Joyce will never have any more fruit punch, ever, and she’ll never have eggs, or yawn or brush her hair, not ever, and no one will explain to me why. ANYAīut I don’t understand! I don’t understand how this all happens. Given its brevity, this sad monologue is a great option for prepared, open, and video auditions. This is an excellent sad monologue that showcases how the character swings wildly between grief and bewilderment, offering actors the opportunity to showcase depth. When Willow asks her to be quiet, Anya breaks down, unable to come to terms with death and how the human condition works. In the wake of Buffy’s mother’s death, Anya-a human who became a demon and then became a human again-has a lot of questions. “Buffy the Vampire Slayer” by Joss Whedon: Anya’s breakdown Here is a roundup of some of the saddest monologues from theater and film. “Buffy the Vampire Slayer” Courtesy 20th CenturyĬan’t find the right sad monologue for your next audition or practice? We’ve got you covered. ![]()
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